Where real facts meet critical thinking

I’m an introverted tech nerd with a soft spot for programming, robotics, 3D printing, messy sketches, and loud music. I spend most of my time exploring the weird overlap between coding, design, and creativity — building stuff, breaking stuff, and occasionally making it all work again. I’m especially into understand machines and people, but I’ve also got a thing for drawing, composing moody tracks, and killing some demons in DOOM way more than I probably should.

This site is a bit of a mix — you’ll find opinions, personal projects, and things I’m working on (or I'm thinking to carry out). Whether it’s a crazy idea, a logo design I actually like, or a melody that got stuck in my head, it all ends up here.

Welcome to my digital mess — glad you stopped by.

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The fall of a maker icon: how Josef Prusa lost the 3D printing race

The fall of a maker icon
For years, the name Josef Prusa was practically synonymous with desktop 3D printing. His open-source legacy, charismatic presentations, and early innovations made him a darling of the maker movement. But somewhere along the way, the visionary became a gatekeeper. And as Prusa Research clung to…

The Rolling Stones are overrated: a case for Black Sabbath’s legacy

The Rolling Stones
This might sound like blasphemy to classic rock fans — the kind of statement that could get you blacklisted from every vinyl collector’s meet-up in the country — but I’ll say it anyway: The Rolling Stones are overrated. Don’t get me wrong. I grew up…

Why modern music just sounds… worse? The Loudness War explained

The Loudness War explained
There was a time when turning up the volume on your stereo made a song feel bigger, more alive. The quiet parts whispered, the loud parts roared, and between them lived the emotional heart of music. But somewhere along the way, the art of dynamics…

A guitar’s farewell: the intimate sorrows of TOMBEAUX

Tombeaux by Christina Sandsengen
A haunted landscape of strings and silence Some albums reach for perfection; others reach for something much harder to grasp — truth. Christina Sandsengen’s TOMBEAUX is firmly in the latter camp. It doesn’t offer escapism or distraction. It invites you to listen closely, to sit…